If you’re anything like me, you might have been wondering “Where in the world has Anne Hathaway been?” for the last couple of years.
After the one two punch of her Oscar-winning work in Les Miserables and The Dark Knight Rises, Hathaway took a step into the background. That may have had something to do with the unfair, sexist press coverage she received during the 2012-2013 awards season. It may have also had something to do with her personal life; she got married shortly before she began the press junket for Les Miserables and had a baby a few years later. She was still acting of course; she had a cameo in Don Jon, reprised her voice-over role in Rio 2, starred alongside Matthew McConaughey in Interstellar, headlined The Intern alongside Robert DeNiro and even popped up in the ill-fated Alice Through The Looking Glass. But there was a stark contrast between Hathaway before she won an Oscar, and after.
Where Hathaway’s post-Oscar roles weren’t exactly the worst roles the actress could have taken, they did little to showcase the full range of her capabilities. But in director/writer Nacho Vigalondo’s black comedy Colossal, Hathaway has found a role that superbly showcases the best of her abilities as a performer.