All the Colors of Kesha’s Beautiful “Rainbow”

“I got too many people / I got left to prove wrong,” Kesha sings softly on “Bastards,” the first track on her third studio album Rainbow. With just a guitar and a beautiful, raw vocal performance, Kesha lays the album’s mission statement bare in the LP’s opening moments. 

“Been underestimated / My entire life,” she continues in the second verse before declaring “They won’t break my spirit / I won’t let ’em win,” encouraging listeners not to “let the bastards get you down.” It’s a simple message, but one that carries the weight of the world within the story of Kesha Rose Sebert. After languishing in a grim legal battle for the last several years with former producer and mentor Lukasz “Dr. Luke” Gottwald, who according to the singer/songwriter also sexually and emotionally abused her throughout her career, Rainbow is more than just a comeback album, it’s a musical and personal rebirth. 

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“Praying:” The Magnitude of Kesha’s Return

When Kesha Rose Sebert exploded onto the music scene in 2009, she was something of a wild card. Armed with nothing but the ironic dollar sign in her name (which she has since dropped) and a bunch of glitter, she took the industry by storm. Her inescapable debut single “TiK ToK” would go on to become the second best-selling song of all time and with several successful follow-up singles and a multiplatinum #1 album, she was thrusted into the upper echelon along with Lady Gaga, Rihanna and Katy Perry. By comparison, her image and brand was much less polished; she sang about brushing her teeth with a bottle of jack, and in an interview she casually recounted a time when her vagina was haunted by a ghost. She was a breath of fresh air.

While her party girl aesthetic was hardly new to the world of pop, she sold it in a way that was uniquely her own. She had a deep connection with her fans, affectionately called “animals,” and wrote “We R Who We R” at a time when suicides within the LGBTQ community were making headlines left and right. When she said her mission was to make people just have fun on her short lived reality show, “My Crazy Beautiful Life,” you really believed it. Here was a woman who genuinely wanted to brighten the world with her creativity, and show people that being their true selves was something to be celebrated. But while the party was raging on through the release of her EP Cannibal and follow up album Warrior, something was brewing beneath the surface. Everyone else seemed to be loving the party, except the person that mattered the most: Kesha. 

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“Melodrama:” Lorde’s Stunning Second Chapter

It’s been four, long years since we last heard from Ella Yelich-O’Connor, otherwise known as Lorde, the brilliant singer-songwriter-producer from New Zealand who took over the world with her debut single when she was just 16 years old. So, what has she been up to since you ask? Well according to Melodrama, her second album released yesterday, she’s been partying, but not having all that much fun. 

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Katy Perry’s “Witness” isn’t Bad, But Not All That Good Either

2017 is just not Katy Perry’s year. 

What was expected to be the pop star’s grand return to usher in an era of “purposeful pop” has been a slow motion train wreck, filled with cringeworthy performances and soundbites, bookended with disappointing music. Pair that with a barrage of negative press, and Perry’s fifth studio album, Witness, was starting to look like this year’s ARTPOP, a.k.a. her fall from the top. 

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Beyoncé Dominates The Grammys With 9 Nominations, Chance the Rapper Makes History

Consensus was that Beyoncé was going to clean up very well with the Grammy nominations this morning, and that consensus was right. Lemonade received an astounding 9 nominations throughout the Pop, Rap and even the Rock categories. That kind of broad support is the kind you want heading into the race, especially if you want an Album of the Year award. After coming close with her brilliant self-titled release, she might just get it with Lemonade which is her biggest, boldest work yet. She is now the most nominated woman in Grammy history. Continue reading

Lady Gaga is Back; “Joanne” Review

Say what you want about Lady Gaga, but she’s never boring. It’s almost impossible to look at her today and see the same pop culture obsessed songstress that sang about disco sticks and paparazzi. Even 2011’s Born This Way, which its truly laughable cover art, seems like it happened a lifetime ago, and hopefully we’ve all forgotten about ARTPOP by now. Continue reading

The Beauty of Sia’s New Music Video: “The Greatest” Is Just That

In case you haven’t heard, Sia has a new song and a new music video.

“The Greatest,” written by Sia and longtime collaborator/producer Greg Kurstin doesn’t stray too far from the typical Sia formula. It’s simple in its composition; “Running out of breath, but I/Oh I, I got stamina” and “Don’t give up, I won’t give up”repeat throughout the song, featuring Sia’s crackling, but powerfully emotive vocals. The uplifting and empowering lyrics are also pretty familiar territory; the hook sees the singer/songwriter insisting “I’m free to be the greatest, I’m alive.” Even the subtle, island-tinged influences alongside the massive pop beat recalls her most recent hit “Cheap Thrills. Even the music video features Maddie Ziegler (making this her fourth collaboration with Sia), with some specific shots and choreography recalling the singer’s past videos.

And yet, for all of its simplicity and familiarity, “The Greatest” is not only Sia’s best music video, but one of the best and most powerful of the year. Continue reading