Surprises and Snubs: Screen Actors Guild Nominations

Oh the SAG awards. I know that the Golden Globes get a lot of flack for being out there with their choices, but this is the same voting body that is responsible for nominations like Judi Dench in Victoria and Abdul, Naomi Watts in St. Vincent and everyone’s favorite, Emily Blunt for The Girl on the Train

This year we have shockers like Margot Robbie in Mary Queen of Scotts, no love for If Beale Street Could Talk (huge loss to Regina King this morning who was also snubbed in television), continued love for BlackKklansman, a double whammy for Emily Blunt and a Bohemian Rhapsody ensemble nomination (YIKES).

Take a look at the full list of film nominees below. 

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“Manchester By The Sea” Leads Screen Actors Guild Nominations, Followed By “Moonlight” And “Hidden Figures”

The Screen Actor’s Guild revealed their nominations this morning, and clearly had a lot of love for MoonlightFencesManchester By The SeaHidden Figures and the Viggo Mortensen led indie Captain Fantastic; all were present in SAG’s Best Ensemble Cast line up, which is their Best Picture prize so to speak.

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Emily Blunt is Fantastic in the Otherwise Average “The Girl On the Train”

Ever since The Girl On the Train was released last year, it was hailed as “the next Gone Girl.” Such a comparison was probably a little unfair, despite both novels’ reliance on the untrustworthy narrator device, the switching between POV’s throughout the story and the fact they were shocking thrillers.

And so when it was announced that the film adaption of The Girl On the Train would be announced in October, just days shy of Gone Girl’s (the film) two year anniversary, the comparisons grew. Many wondered if Emily Blunt, starring as the main character Rachel, would secure the first Oscar nomination that has (unfairly) eluded her throughout her career like Rosamund Pike did for Gone Girl. The film would no doubt be a smashing success (it’s already being projected to be the #1 film this weekend with close to $30 million. Not Gone Girl level numbers, but pretty respectable nonetheless). It just needed to be good enough for Oscar consideration, right?

Unfortunately, critics have not been kind to The Girl On the Train. Metacritic has it at a middling 48, with many mentioning or flat out comparing it to Gone Girl.

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And while the film does have its issues, one of them shouldn’t be that it’s not the next Gone GirlContinue reading