“Hidden Figures” Wins Best Ensemble At SAG Awards

Hidden Figures won big at the Screen Actor’s Guild awards after the cast was awarded the Best Ensemble Cast in a Motion Picture, besting the favorite to win Moonlight. It just crossed the $100 million mark at the box office this weekend too. I thought that if Moonlight lost this it would cement La La Land’s win, but coupled with this win, it shouldn’t be counted out of the Best Picture race especially since La La Land was not nominated here. The Oscars love their crowdpleasers, and much of La La Land‘s campaign has been built on it being one. And sure, it has a PGA win, but Hidden Figures is every bit of the crowdpleaser that La La Land is, better even and the race is far from over. Watch out.

The other big “shocker” of the night came when Denzel Washington beat Casey Affleck in Best Actor. Many were predicting Affleck to continue his sweep here but I had a hunch Washington would win here; he had never won an award here before, which is absolutely insane to think about. 

The rest of the categories went pretty much as expected: Emma Stone began her march towards an Oscar by repeating her win at Golden Globes. Any hopes of a late surge for Natalie Portman seem entirely unrealistic now. Mahershala Ali and Viola Davis won in their respective categories. 

See the full list of winners below. 

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Screen Actor’s Guild Predictions: Can “Moonlight” Emerge As “La La Land’s” Biggest Competition?

We have now entered Phase 2 of awards season: Oscar nominations have been announced, and now it’s about threading a narrative to create/build and/or maintain enough momentum to win an Oscar.

Last year, we saw the tide turn quickly against The Revenant, which came into Oscar night with a whopping 12 nominations and losing Best Picture to Spotlight and other technical awards to Mad Max: Fury Road. The same thing happened to American Hustle a few years ago; it scored 13 nominations and a ton of late breaking heat from the Golden Globes and Screen Actor’s Guild and won nothing on Oscar night. This year is obviously much different than those years, with La La Land being much more of an Oscar-friendly and consensus title than the other ones I mentioned. 

Curiously enough, La La Land only managed nominations for Emma Stone and Ryan Gosling, and did not appear in the line up for Best Ensemble which is worth noting. It’s true that La La Land is a lot of just Stone and Gosling, but that hasn’t stopped SAG from nominating films with smaller ensembles before (remember Beasts of No Nation last year? It only had three actors cited). The Producer’s Guild also announces their winner this weekend, which La La Land will almost certainly win. But SAG represents the actors, which outnumber the producers that vote within the Academy which is why I think Moonlight can emerge as a big threat this weekend (but more on that later). 

Let’s go through the categories. 

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Netflix’s “A Series Of Unfortunate Events” Is An Incredibly Entertaining, Faithful Adaptation

When Netflix announced they would be adapting Lemony Snicket’s (aka Daniel Handler) A Series of Unfortunate Events I was a little skeptical. Now, it’s true that a lot of their original series efforts (Stranger ThingsOrange Is The New BlackBoJack Horseman) have been consistently excellent and entertaining, but A Series of Unfortunate Events is something very near and dear to my heart, and I’ve been burned once before. Nickelodeon’s film adaptation, though handsomely made and entertaining in its own right, failed to capture much of what made Handler’s series so engrossing and exceptional. Time passed, the actors grew too old and a sequel or even a reboot seemed pointless as the years rolled by and the final book was released. Any hopes of seeing the misadventures of the Baudelaire orphans told on the big screen seemed hopeless.

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Are “Deadpool” and “Nocturnal Animals” Really Headed Towards Major Oscar Nominations?

One of the most bizarre things about this whole awards season is the over performance of Nocturnal Animals and Deadpool. In the case of the former, it won major nominations from the Golden Globes and one award for Aaron Taylor-Johnson over the presumed winner Mahershala Ali. This morning, The BAFTA’s (British Academy of Film and Television Awards) nominated the film in categories like Best Picture, Director, Actor and Supporting Actor. In the case of Deadpool, the film received nominations from the WGA and PGA, highly predictive guilds when it comes to the Oscars. 

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“Hidden Figures” Beat “Star Wars” at the Box Office, Poised to Shake Up the Oscars

After last night’s La La Land dominance at the Golden Globes, it would be easy to say that all is said and done and that its march towards the Oscars is complete. All seven awards, including Picture (Comedy or Musical), Director, Actor and Actress (Comedy or Musical) and Screenplay went to Damien Chazelle’s musical which has been tearing it up at the Box Office. La La Land also boasts top honors from the Broadcast Film Critics and the Toronto International Film Festival, two prizes that certainly don’t hurt when trying to win Best Picture at the Academy Awards. 

La La Land‘s biggest competition was thought to be Moonlight (which won the Drama Globe for Best Picture) and Manchester By The Sea (which won Actor in a Drama). Both films landed Screen Actor’s Guild Ensemble nominations where La La Land did not, indicating weakness from La La Land amongst the biggest voting block in the Academy: the actors. Even films like Beasts of No Nation which only had three credited actors (and only one of them being well known) was able to land a nomination last year. But one film that is absolutely tearing up the box office right now, and won nominations from the Screen Actors Guild and Writers Guild that I believe many are underestimating in the long game is Hidden Figures

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