Hidden Figures won big at the Screen Actor’s Guild awards after the cast was awarded the Best Ensemble Cast in a Motion Picture, besting the favorite to win Moonlight. It just crossed the $100 million mark at the box office this weekend too. I thought that if Moonlight lost this it would cement La La Land’s win, but coupled with this win, it shouldn’t be counted out of the Best Picture race especially since La La Land was not nominated here. The Oscars love their crowdpleasers, and much of La La Land‘s campaign has been built on it being one. And sure, it has a PGA win, but Hidden Figures is every bit of the crowdpleaser that La La Land is, better even and the race is far from over. Watch out.
The other big “shocker” of the night came when Denzel Washington beat Casey Affleck in Best Actor. Many were predicting Affleck to continue his sweep here but I had a hunch Washington would win here; he had never won an award here before, which is absolutely insane to think about.
The rest of the categories went pretty much as expected: Emma Stone began her march towards an Oscar by repeating her win at Golden Globes. Any hopes of a late surge for Natalie Portman seem entirely unrealistic now. Mahershala Ali and Viola Davis won in their respective categories.
See the full list of winners below.
We have now entered Phase 2 of awards season: Oscar nominations have been announced, and now it’s about threading a narrative to create/build and/or maintain enough momentum to win an Oscar.
Last year, we saw the tide turn quickly against The Revenant, which came into Oscar night with a whopping 12 nominations and losing Best Picture to Spotlight and other technical awards to Mad Max: Fury Road. The same thing happened to American Hustle a few years ago; it scored 13 nominations and a ton of late breaking heat from the Golden Globes and Screen Actor’s Guild and won nothing on Oscar night. This year is obviously much different than those years, with La La Land being much more of an Oscar-friendly and consensus title than the other ones I mentioned.
Curiously enough, La La Land only managed nominations for Emma Stone and Ryan Gosling, and did not appear in the line up for Best Ensemble which is worth noting. It’s true that La La Land is a lot of just Stone and Gosling, but that hasn’t stopped SAG from nominating films with smaller ensembles before (remember Beasts of No Nation last year? It only had three actors cited). The Producer’s Guild also announces their winner this weekend, which La La Land will almost certainly win. But SAG represents the actors, which outnumber the producers that vote within the Academy which is why I think Moonlight can emerge as a big threat this weekend (but more on that later).
Let’s go through the categories.
I called that it was going to be a big night for La La Land, but I didn’t anticipate it being this big. The Emma Stone and Ryan Gosling led musical won all seven of the awards it was up for, including Screenplay and Director which many thought could have gone to Kenneth Lonergan or Barry Jenkins.
It was clear that the Broadcast Film Critics loved La La Land; they gave it the most nominations of any film with 12, and ended up winning eight including the top prizes: Picture and Director while picking up a lot of the below the line prizes in Editing, Production Design and Cinematography. Many have predicted La La Land will sweep in a similar fashion at the Oscars. And while it’s true the Broadcast critics don’t vote on the Oscars, they are more predictive and align more accurately with the Oscars than any other precursor group, including the Globes and even Screen Actors Guild (sometimes).
Where La La Land missed out, however, was in Best Actress which surprisingly went to Natalie Portman. After suffering from missed citations from recent critics groups, Portman roared back into the race and Jackie picked up additional awards in Costumes and Hair & Makeup. Only two actresses in the past 6 years that have won this award missed out on winning the Oscar; though many were quick to declare this a cakewalk for Emma Stone, it’s clear Best Actress is still a two woman race.
The other two frontrunners, Moonlight and Manchester By The Sea, had their moments as well. Mahershala Ali won yet another trophy for Supporting Actor with the cast winning the group’s ensemble prize. Casey Affleck beat out his biggest competition in Denzel Washington for Best Actor, while Kenneth Lonergan tied in Original Screenplay with Damien Chazelle’s screenplay for La La Land. After winning some notices with the critics, Michelle Williams lost Supporting Actress to Viola Davis, who has begun what I suspect will be a clean sweep of the televised awards. Look out for her next conquest: the Golden Globes (nominations are announced tomorrow).
Read the full list of (film) winners below.
We’re still about a month away from the premiere of Denzel Washington’s Fences, but Paramount isn’t wasting any time getting the film out in front of people.
After a splashy premiere at the AFI fest and several industry screenings, Fences has moved up into the Oscar race in a big way.With so much of the Academy comprising of actors, Fences should have no problem raking in a bunch of nominations. The only question now is just how big will Fences be? And can it win Washington a Best Actor Oscar, making it his third trophy?
Denzel Washington’s big screen adaptation of Fences, August Wilson’s critically acclaimed staged play, has finally been seen. To say that people loved it would be underselling it; last night’s Screen Actor’s Guild screening went over so well that many are calling the Best Actor and Best Supporting Actress races over.
For the last few weeks, Natalie Portman and Emma Stone have asserted themselves as the frontrunners in the Best Actress race after splashy debuts at both the Venice and Toronto film festivals. Though many people have been quick to make this a two way race, I’ve quietly maintained that the unseen contenders, Viola Davis (especially) and Annette Bening, were waiting in the wings. Today these two ladies have officially joined the conversation, and if I were Stone and Portman, I wouldn’t get too comfortable with being in the lead.
I’ve already talked at length at how both Davis’ and Bening’s status as “also rans” in previous races benefit their chances this year. That being said, both of their projects look like slam dunks and shouldn’t find difficulty finding awards consideration when its time to cast ballots.
Let’s take a look.
It’s that time of the year; Sundance, Cannes, Telluride and Venice are behind us while the Toronto Film Festival has just begun, and so has Oscar season. The contenders are beginning to emerge and narratives are starting to take shape. There are some films that have gotten a head start thanks to some critical raves (Jackie, La La Land, Moonlight, Loving, Sully) and some that are playing catch up (The Birth of A Nation) while others are giant question marks in the race right now (Arrival,
One race that’s particularly interesting, as it stands right now, is Best Actress. With so much left of the race left to go there are a number of exciting possibilities that, if played right, could make this one of the best years for Best Actress in awhile. Continue reading