“Arrival” Is Timely, Fascinating and a Showcase For Amy Adams’ talents

It’s been hard to muster any kind of enthusiasm, or any kind of feeling besides grief, hopelessness and rage since Tuesday night. No matter what song I put on, what channel I flipped to or what episode of Portlandia I streamed on Netflix, I just wanted to melt into a puddle. I could not stop thinking about the next four years, and they mean for black, latinx and LGBTQ Americans. So when I sat down for my screening of Arrival last night, I was looking to just escape my mind for a minute; I wanted to turn off the thoughts so that I could come back fully reenergized to figure out how I was going to tackle fighting the racism, bigotry and intolerance that is now America’s President-elect.

Arrival is the escapist entertainment I was seeking. Even if it was for two hours, director Denis Villeneuve’s excellent sci-fi character study manages to transport and astound in every frame.

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Last Night’s “Fences” Screening Cemented its Future with the Oscars

Denzel Washington’s big screen adaptation of Fences, August Wilson’s critically acclaimed staged play, has finally been seen. To say that people loved it would be underselling it; last night’s Screen Actor’s Guild screening went over so well that many are calling the Best Actor and Best Supporting Actress races over.

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Natalie Portman is Exceptional in the Transcendent “Jackie”

There’s a scene in Jackie which sees the titular First Lady (played by Natalie Portman) preparing to walk out of the private jet carrying her, husband John and their entourage in Dallas, Texas. She’s rehearsing her speech while applying her makeup. Wearing the now iconic pink Chanel suit, she adds the finishing touch: the matching pillbox hat. She stares ahead never meeting his gaze, with a blank expression on her face.

“Ready?” John asks her.

“Of course,” she says with the slightest grin.

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Lady Gaga is Back; “Joanne” Review

Say what you want about Lady Gaga, but she’s never boring. It’s almost impossible to look at her today and see the same pop culture obsessed songstress that sang about disco sticks and paparazzi. Even 2011’s Born This Way, which its truly laughable cover art, seems like it happened a lifetime ago, and hopefully we’ve all forgotten about ARTPOP by now. Continue reading