The New “La La Land” Trailer is Here and it’s Glorious

La La Land became the Best Picture frontrunner from the moment it premiered at the Venice Film festival. And while it’s facing some heat from Sundance darling’s Manchester By The Sea and critic’s favorite and box office anomaly Moonlight, the new trailer suggests  that distributor Summit Entertainment is going all out for awards glory.

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Emily Blunt is Fantastic in the Otherwise Average “The Girl On the Train”

Ever since The Girl On the Train was released last year, it was hailed as “the next Gone Girl.” Such a comparison was probably a little unfair, despite both novels’ reliance on the untrustworthy narrator device, the switching between POV’s throughout the story and the fact they were shocking thrillers.

And so when it was announced that the film adaption of The Girl On the Train would be announced in October, just days shy of Gone Girl’s (the film) two year anniversary, the comparisons grew. Many wondered if Emily Blunt, starring as the main character Rachel, would secure the first Oscar nomination that has (unfairly) eluded her throughout her career like Rosamund Pike did for Gone Girl. The film would no doubt be a smashing success (it’s already being projected to be the #1 film this weekend with close to $30 million. Not Gone Girl level numbers, but pretty respectable nonetheless). It just needed to be good enough for Oscar consideration, right?

Unfortunately, critics have not been kind to The Girl On the Train. Metacritic has it at a middling 48, with many mentioning or flat out comparing it to Gone Girl.

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And while the film does have its issues, one of them shouldn’t be that it’s not the next Gone GirlContinue reading

Natalie Portman is Front and Center in New “Jackie” Trailer

The Best Actress race refuses to slow down.

Just last week, we got a glimpse of Viola Davis in Fences and Annette Bening in 20th Century Women. Emma Stone won Best Actress at Venice and has been topping a lot of Oscar pundits lists for the final five, but one contender that has managed to astound everyone is Natalie Portman. The actress’ buzzy Jackie Kennedy biopic has been the talk of the town since it premiered to critical acclaim at Venice and Toronto last month.

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Lupita Nyong’o is transcendent in the outstanding “Queen of Katwe”

Inspirational, “feel good” movies oftentimes break a sweat trying to earn the audience’s emotions. Through the use of saccharine music, stereotypical character troupes and cliché dialogue, not to mention formulaic plot points. Queen of Katwe, a film that very easily could have fallen into those trap holes manages to avoid all of them while holding onto its uplifting message, hitting you like a shot in the heart.

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“Blair Witch” Review

When The Blair Witch Project was released in theaters back in 1999 it became a phenomenon. There was nothing else quite like it; a scrappy little film made for next to nothing, featuring no big name stars or a high-profile director attached to it. And yet it went on to gross over $240 million, and inspired a long line of films trying to recreate its magic (the Paranormal Activity films).

Enter the sequel, aptly named Blair Witch. Originally disguised as a film called The Woods featuring a cryptic teaser trailer, the film comes over a decade after the first film (and a much maligned sequel that’s generally ignored here). It seems a little weird that this sequel would come so far after the first film, especially given the original being a product of its time. Much of The Blair Witch Project‘s success is attributed to its marketing campaign, which was revolutionary at the time. An online website was created specifically for the movie, with false “legends” and stories about the fictional Blair Witch being spread far across the internet.

In today’s world, online marketing campaigns are seen as a necessity for a lot of films, especially a film like The Blair Witch; a lot of that magic has disappeared due to to the rise of the internet and social media. Even  watching the original film isn’t as magical as it was back in the pre-internet age. Blair Witch doesn’t just set out to continue the legacy of the first film, but recreate some of that magic for a new generation.

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Breaking Down The Best Actress Race

It’s that time of the year; Sundance, Cannes, Telluride and Venice are behind us while the Toronto Film Festival has just begun, and so has Oscar season. The contenders are beginning to emerge and narratives are starting to take shape. There are some films that have gotten a head start thanks to some critical raves (JackieLa La Land, MoonlightLovingSully) and some that are playing catch up (The Birth of A Nation) while others are giant question marks in the race right now (Arrival,

One race that’s particularly interesting, as it stands right now, is Best Actress. With so much left of the race left to go there are a number of exciting possibilities that, if played right, could make this one of the best years for Best Actress in awhile. Continue reading

The Beauty of Sia’s New Music Video: “The Greatest” Is Just That

In case you haven’t heard, Sia has a new song and a new music video.

“The Greatest,” written by Sia and longtime collaborator/producer Greg Kurstin doesn’t stray too far from the typical Sia formula. It’s simple in its composition; “Running out of breath, but I/Oh I, I got stamina” and “Don’t give up, I won’t give up”repeat throughout the song, featuring Sia’s crackling, but powerfully emotive vocals. The uplifting and empowering lyrics are also pretty familiar territory; the hook sees the singer/songwriter insisting “I’m free to be the greatest, I’m alive.” Even the subtle, island-tinged influences alongside the massive pop beat recalls her most recent hit “Cheap Thrills. Even the music video features Maddie Ziegler (making this her fourth collaboration with Sia), with some specific shots and choreography recalling the singer’s past videos.

And yet, for all of its simplicity and familiarity, “The Greatest” is not only Sia’s best music video, but one of the best and most powerful of the year. Continue reading