Tomorrow morning, the nominations for the 90th Academy Award ceremony will be revealed. Based on precursors, it’s going to be a big morning for The Shape of Water (which has been nominated by every major guild and won with the Producer’s) and Three Billboards outside Ebbing, Missouri (our Best Picture frontrunner). I fully expect Get Out, Lady Bird and Dunkirk to get a healthy amount of nominations as well. The biggest question is how well passion picks like I, Tonya, Mudbound and Call Me By Your Name will do. Will the Academy resist the Netflix aspect of Mudbound‘s distribution? Was the BAFTA love for Darkest Hour a fluke?
Below are my full list of nomination predictions.
The big night is just hours away, and I have to say I’m happy this long awards season is finally over. What started out as a promising year for awards season turned into a dull steamroll for La La Land, which confuses me given its competition. Then again, we are talking about the Oscars after all, so maybe it’s not all that shocking.
So yeah, La La Land will probably win everything it’s fun to think about Moonlight or Arrival upsetting in a few of the major categories. So while I’ve tried to be “realistic” and predicted Damien Chazelle’s movie musical to win just about everything from Picture, Actress to Editing and Production Design, I’m holding out for some surprises.
But aren’t we all?
Tomorrow morning the Academy Awards will announce their slate of nominations. After hearing from the Golden Globes and reading the nominations from groups like the Producer’s Guild, Director’s Guild and Screen Actor’s Guild, it’s pretty apparent which films have the most heat behind them. Continue reading
It’s that time of the year; Sundance, Cannes, Telluride and Venice are behind us while the Toronto Film Festival has just begun, and so has Oscar season. The contenders are beginning to emerge and narratives are starting to take shape. There are some films that have gotten a head start thanks to some critical raves (Jackie, La La Land, Moonlight, Loving, Sully) and some that are playing catch up (The Birth of A Nation) while others are giant question marks in the race right now (Arrival,
One race that’s particularly interesting, as it stands right now, is Best Actress. With so much left of the race left to go there are a number of exciting possibilities that, if played right, could make this one of the best years for Best Actress in awhile. Continue reading
I’ve been thinking about Barry Jenkins’ Moonlight from the moment its gorgeous trailer premiered over the summer. I hadn’t heard anything about it before that, but the buzz around the film became inescapable after. Film critics and various writers were all enamored like I was, while the lucky few who had seen the film in some capacity all had the same message: This was a film to watch out for, and see at any cost.
Suddenly it was announced that Moonlight would be screening at the Telluride Film Festival, with screenings at the prestigious Toronto and New York Film Festivals to follow. It’s clear that following the success of Room and Ex Machina last year, the film’s distributor A24 was not messing around with this one and if the word of mouth out of Telluride is any indicator of what’s to come, Moonlight is in it for the long haul.
Trust me, I know we’re all still recovering from last year’s dreadful slate of Academy Award winners/nominees (I’m of course not talking about Mad Max Fury Road winning several trophies, but of course another crop of all white acting nominees and the inclusion of films like JOY and The Revenant). That being said, any news on the Best Actress category, in my opinion, is worth discussing. Especially when it concerns Viola Davis.
That’s right. The beloved actress could not only score her third career nomination (and the second in this particular category) but maybe even her first win.
By now a thousand think pieces and recaps have been posted online reacting to the Oscars. Some have already moved on and closed the book. By tomorrow morning, the Academy Awards news cycle will be over, and people will be finding new things to discuss.
I, however, have not stopped thinking about Lady Gaga’s performance of “Til It Happens To You” from the documentary The Hunting Ground. It’s a moment that, as a survivor of abuse, I will continue thinking about for the rest of my life.